Chopin:
Mazurka No. 41 in C sharp minor, Op. 63 No. 3
Mazurka No. 7 in F minor, Op. 7 No. 3
Scherzo No. 1 in B minor, Op. 20
Liszt:
Sonetto 104 del Petrarca (Années de pèlerinage II, S. 161 No. 5)
Soirées de Vienne: valse-caprice No. 6 (after Schubert), D427 No. 6
Moszkowski:
Étincelles, Op. 36 No. 6
Mozart:
Adagio in B minor, K540
Rondo in D major, K485
Piano Sonata No. 10 in C major, K330
Scarlatti, D:
Keyboard Sonata K380 in E major
Keyboard Sonata K135 in E major
Schumann:
Arabeske in C major, Op. 18
Kinderszenen, Op. 15: Traümerei
Scriabin:
3 Pieces for piano, Op. 2: Etude in C sharp minor
Étude Op. 8 No. 12 in D sharp minor
Horowitz Interview with Norman Pellegrini
Horowitz Interview with Thomas Willis
Vladimir Horowitz (piano)
Vladimir Horowitz. Even more than twenty-five years after his death, his name still conjures up magical imagery. An artist of extraordinary pianistic abilities, Horowitz came to define an era, when performing artists put their personal stamp on everything they did. And Horowitz did it like no one else, before or since.
This CD set is taken from one of those concerts, a recital from Orchestra Hall, Chicago, on October 26, 1986. Here we hear him in his element, before a live audience. We may not be able to attend a Horowitz recital anymore, but this is the next best thing – with a little imagination, we can become part of the audience ourselves, and it’s just thrilling.
Horowitz performed in Chicago thirty-seven times in all, including twenty-seven solo recitals, starting in the year 1928. He was very popular there, and that popularity caused him to give repeat performances four times in the 1960s and 1970s, in order to reach as many patrons as possible. By 1986, he’d come up with perhaps a better plan: a concert that would be broadcast, as a gift to the city of Chicago. This concert marks the final time Horowitz played in Chicago.
