Tussen de Mis in C (1807) en Missa Solemnis (1823) zit een wereld van verschil. De Mis in C verraad geen spoor van twijfel over de vraag of God zich werkelijk over de mensheid wil ontfermen. In de Missa Solemnis klinkt Beethoven bezorgd en weemoedig weifelend over zekerheden die niet langer worden gegeven. Dit komt tot uiting in diverse passages in de Missa Solemnis, die prachtig in het boekje (in het Nederlands) wordt omschreven. Samen met sopraan Carolyn Sampson, alt Marianne Beate Kielland, tenor Thomas Walker, bas David Wilson-Johnson, Capella Amsterdam en het Orkest van de Achttiende Eeuw neemt Daniel Reuss een prachtige Missa Solemnis op. Beethoven noemde Missa Solemnis (die verwant is aan zijn negende symfonie) zijn grootste werk. Dit indrukwekkende album is opgedragen aan Frans Brüggen.
Beethoven: Missa Solemnis in D major, Op. 123
Carolyn Sampson (sopraan), Marianne Beate Kielland (alt), Thomas Walker (tenor) & David Wilson-Johnson (bass)
Cappella Amsterdam & Orchestra of the Eighteenth Century, Daniel Reuss
The Orchestra of the Eighteenth Century continues its vibrant music-making journey, very much in the spirit of its late founder Frans Brüggen, with specially invited conductors. In order to tackle Beethoven's mighty 'Missa Solemnis', the orchestra formed a partnership with highly-regarded Daniel Reuss, who has recorded a sizeable number of critically-acclaimed choral masterpieces, many of them with Cappella Amsterdam. This fine Dutch chorus is possessed of all the right skills to climb this glorious mountain of a work; notably vocal agility and stamina. The chorus is joined by an outstanding quartet of soloists in Carolyn Sampson, Marianne Beate Kielland, Thomas Walker and David Wilson-Johnson. The Orchestra of the Eighteenth Century has significant experience performing the music of Beethoven on period instruments (and its current concert schedule embraces the symphonies, piano concertos and Fidelio), all the more necessary with such a demanding work.
This new recording comes with an elegant essay from Bas van Putten, but also by a fascinating series of images captured by photographer and violinist Annelies van der Vegt, taken across The Netherlands during the course of the orchestra’s concert tour with the Missa Solemnis.
