LAAR, ROB VAN DE

Begin 2017 ontving hoornist Rob van de Laar (1987) de Nederlandse Muziekprijs. Dit is de hoogste onderscheiding voor jonge getalenteerde musici die door het Fons Podiumkunsten namens de minister van Onderwijs, Cultuur en Wetenschap wordt uitgereikt. Met het budget van deze prijs financiert Rob van de Laar zijn eerste album. Dit album opent met het beroemde Hoorntrio van Brahms, dat Brahms na het overlijden van zijn moeder schrijft. Weinigen weten dat zijn moeder vooral genoot als de jonge Brahms de hoorn speelde. Het album bestaat verder uit Adagio en Allegro van Schumann, Auf der Strom van Schubert en een prachtig ritmisch werk van Karl Pilss: Tre pezzi in forma di Sonata. Rob van Laar laat met zijn prachtige spel horen dat hij de hoorn perfect beheerst.

Heartfelt - Romantic Works for Horn

Brahms:
Horn Trio in E flat major, Op. 40
Mathieu van Bellen (violin)

Pilss:
Three Pieces in the Form of a Sonata for Horn and Piano

Schubert:
Auf dem Strom, D943, Op. post. 119
Karin Strobos (mezzo)

Schumann:
Adagio and Allegro in A flat major, Op. 70

Rob van de Laar (horn), Thomas Beijer (piano)


The young Dutch horn player Rob van de Laar, Principal Horn of the Mozarteum Salzburg, has just been awarded the Dutch Music Prize, The Netherlands’ highest state accolade in classical music. He makes his solo recording debut with ‘Heartfelt’ on Challenge Classics, an SACD of Romantic music by Brahms, Schumann, Schubert and the little-known Austrian composer Karl Pilss.

The disc opens with two of the great pieces of the German Romanticism for Horn. Brahms’ Horn Trio was composed in 1865, during a peaceful summer at Clara Schumann’s house in the Black Forest. Schumann wrote his Adagio and Allegro in 1849, one of a series of miniatures for different solo instruments and piano that he composed that year in Dresden. Schumann was among the first to explore the expanded possibilities offered by the new valve horn.

Schubert wrote his song ‘Auf dem Strom’ in 1828, the final year of his short life, to a text by Ludwig Rellstab. It was composed for a concert, at the Vienna Musikverein, marking the first anniversary of the death of Ludwig van Beethoven on 26 March. Schubert, who was a great admirer of Beethoven, saw his opportunity to compose a special song as an ode to the master, adding a dazzling part for the French horn.

The Viennese composer Karl Pilss (1902-1979) is perhaps best known among brass players, having written concertos for trumpet, horn and bass trombone, as well as a number of works for brass ensemble. The influences of Richard Strauss, Gustav Mahler and his composition teacher Franz Schmidt can be clearly heard in his music. The ‘Tre pezzi in forma di sonata’ date from 1924.