AMSTERDAM SINFONIETTA SOLOISTS

Schuberts strijkkwintet in C behoort ontegenzeggelijk tot het ijzeren repertoire, en er bestaan honderden opnames van. Toch is deze bijzonder, want de solisten van Amsterdam Sinfonietta worden bijgestaan door contrabassist Rick Stotijn. Hij neemt de partij voor zijn rekening die normaal gesproken door de tweede cello wordt gespeeld. In de oorspronkelijke versie sluit het werk aan bij vergelijkbare strijkkwintetten van Boccherini en Onslow, maar onder indruk van de bassist Domenico Dragonetti paste Onslow zijn kwintetten aan. Dat idee is hier doorgetrokken. De versie die we hier horen heeft Schubert zelf dus nooit gehoord – net zoals het oorspronkelijke strijkkwintet overigens – maar dat hij een groot liefhebber van de bas was, is in vele andere late composities te horen. De solisten van Amsterdam Sinfonietta voegen met deze opname niet alleen een opmerkelijke aanvulling op een geliefd werk toe, maar weten door hun prachtige frasering nieuwe elementen bloot te leggen.


Schubert: String Quintet in C major, D956

Amsterdam Sinfonietta Soloists: Candida Thompson (violin), Jacobien Rozemond (violin), Daniel Bard (viola), Kaori Yamagami (cello), Rick Stotijn (double bass)


The dynamic range, refinement and versatility so typical of the string quartet are essential to the way in which Amsterdam Sinfonietta functions and performs. Most of the string orchestra’s members play regularly in quartets and trios, piano trios, string sextets and suchlike. Each season they present chamber music programmes under the name Amsterdam Sinfonietta Soloists, often with leading roles for the principals of the string sections. An unusual version of Schubert’s celebrated String Quintet in C major has been chosen for this CD recording. The work is one of the icons of chamber music, and it is therefore all the more painful that Schubert never heard it, since it was not performed until twenty years after his death, and publication came even later. The instrumentation corresponds to the quintets of Luigi Boccherini and George Onslow, who wrote countless works for two violins, viola and two cellos. It is said that, having heard the double bass player Domenico Dragonetti, Onslow provided all his string quintets with an alternative bass part to replace the second cello part. Earlier, Beethoven too had hugged this ‘Paganini of the double bass’ out of pure admiration. Almost ten years before his String Quintet in C major, Schubert wrote the Trout Quintet, in which the double bass features prominently. His interest in the instrument is also illustrated by its important role in works such as the Octet, the Ninth Symphony and the Song of the Spirits over the Waters. What would Schubert have done if he had heard Dragonetti play? With this in mind, the Amsterdam Sinfonietta requested Marijn van Prooijen, a double bass player and arranger, to adapt the second cello part for the double bass. Rick Stotijn plays it on a small double bass with a high tuning in fourths and even a high C string, which allow room for the player to be flexible in using the different registers.